Two people attempt to connect over a great distance.

The story of a young city boy wanting to become the mahout, the elephant driver. Despite his master's belief that only karen tribe people are born to be mahouts, the lad finally wins his heart and becomes a real mahout.

Vanya and his stepsister Sonia have lived their entire lives in their family's farmhouse. While they stayed home to take care of their ailing parents, their sister Masha has been gallivanting around the world as a successful actress and movie star, leaving Vanya and Sonia to feel trapped and regretful. Their soothsayer/cleaning woman Cassandra keeps warning them about terrible things in the future, which include a sudden visit from Masha and her twenty-something boy toy Spike.

Two self absorbed NYers give their own skewed version of the days events.

International sex symbol Sunny Leone has a hard day at home.

Dennis and Dee decide to teach Frank a lesson "A Christmas Carol"-style, and Mac and Charlie learn some shocking things about their childhood Christmas traditions.

Kevin Keith Baker follows the bitterly divorced rockers as they unleash their music on a whole new audience: Kindergarteners. By day, they're "Sunny & Share," injecting their twisted tunes about paedophilia, lung cancer and homemade bombs into the curriculum. By night, they walk on the dark side, dabbling in drugs, amateur porn and prostitution. Finally, a rock 'n' roll movie musical for the unattractive, unloved, unarmed inner child in each of us.

Seven girls become good friends in high school, then events pull them apart for 25 years. When one of the friends lies dying in a hospital, she wishes to see each of them one last time.

With hopes of reuniting with her husband, who left for the Vietnam War without telling her, a young wife joins a traveling band as the lead singer.

Series looking at the revolution in 20th century music. 　　Wrecking Ball 　　It begins by examining the shift in the language and sound of music from the melodies and harmonies of giants such as Mozart, Haydn and Brahms into the fragmented, abstract, discordant sound of the most radical composers of the new century - Schoenberg, Webern, Stravinsky and beyond. It examines how this new music was a response to the huge upheaval in the world at the start of the 20th century, with its developments in technology, science, modern art and the tumult of the First World War. Featuring performances of some of the key works of the period, performed by the London Sinfonietta, members of the Aurora Orchestra and composer and pianist Timothy Andres, the story of this episode in music history is brought to life through the contributions of the biggest names in modern classical music, among them Steve Reich, John Adams, Michael Tilson Thomas, Pierre Boulez, George Benjamin and Alex Ross, music critic of the New Yorker. 　　Free for All 　　Part 2 examines how the freewheeling modernism that had shocked audiences in the first two decades of the century came under state control. Initially, many practitioners thought the totalitarian regimes would be good for music and the arts. What followed in Germany was a ban on music written by Jews, African-Americans and communists, while in the Soviet Union there was a prohibition on music the workers were unable to hum. After the cataclysm of the 1940s, a new generation of composers - Boulez, Stockhausen, Xenakis, Nono, Ligeti - turned their back on what they saw as the discredited music of the past and tried to reinvent it from scratch. Or, at least, from serialism, which became as much of a straitjacket as totalitarianism's strictures had been. But from this period of avant-garde experimentation, which many listeners found baffling and terrifying, came some of the most influential and radical musical innovations of the century. 　　Easy Listening 　　Series concludes with the focus shifting to the United States in the post-war years of the 1950s and beyond. Beginning with arguably the most notorious work of 20th century classical music, John Cage's 'silent' composition 4'33", it looks at how a series of maverick Americans re-invented the sound of classical music into a more simple form, bringing back harmonies and rhythms that made it increasingly popular with audiences across the world. It also examines how this music found its way into a spiritual realm, with the strain of pared-down religious composition that came to be known as 'holy minimalism'. From the Maverick concert hall in Woodstock, New York to an Orthodox cathedral in Estonia to a car park in Peckham, south London, the story is told by a stellar line-up of contributors including Philip Glass, Steve Reich, John Adams, Arvo Pärt and John Tavener.